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#The perfect stormy torrent full#
Or would they still be doing the same thing, no matter if it was snowing, raining, or a full moon?įor example, Josie can't steal the diamond out of the Smithsonian during the day, because there's a million tourists and security guards in there.Ģ. Ask yourself- what is so important about the weather that it deserves to be my opening sentence? Do I have to establish the weather in order to tell the first part of the story? Is it making that much of an impact on what the first character I introduce is doing?. Where can it be okay? Weather is happening every day, all the time!ġ. If you just set the mood in other words, the story might survive, but there's still a good chance someone is going to come along and take a bite out of it.
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Heck, they might say ANY time you start with weather, it's cliche!īasically, if you use these exact words and it isn't in a slightly humorous fashion, you're kicking your story in the leg and dropping it into a wolf den. Some people take "dark and stormy night" cliche to mean ANY time a story starts with a dark and stormy night, it's cliche. What you do with it might be, but the words themselves aren't, sorry.Ģ. Why do they want to read someone else's words? It's not at all original.
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I mean, people come to your story wanting to read your story. Some people find it cliche to use a sentence that has been used before, and used a lot. Some people think it's one of the greatest opening lines!ġ. That, and not everyone thinks this is a terrible line/theme to start a story with. Good Omens, Neil Gaiman and Terry Pratchett It should have been, but that's weather for you." Why does it work for some of these people? It's just what many consider an example of purple prose- flowery, excessive writing that often draws as much attention onto itself as it does on the story. You might say it's even better than a lot of what you read on wattpad and in some other stories. It was a dark and stormy night the rain fell in torrents-except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness. The person who gets made fun of (there is even a contest in his honor), however, is Edward Bulwer-Lytton in Paul Clifford. Washington Irving used it as part of an opening sentence for The History of New York. So if they got away with it, why can't you? And why is it considered bad? Heck, even Edgar Allen Poe, Neil Gaiman, and Terry Pratchett have poked fun at it! And Ray Bradbury and Alexander Dumas have also drawn on it. To continue publishing, please remove it or upload a different image. Oops! This image does not follow our content guidelines. It's been used, and it's been used by famous people. How many times have you seen the weather outside, then, cozy in your blanket or beside your cat, said, "Yeah.No."?īut for a lot of writers, nights like those are the perfect background visuals for their stories.Īnd storms are really good mood-setters, right? And depending on where you live, stormy nights could be quite common (Florida) or a rare event worth noting (desert).Or if your character is trapped on a boat as a hurricane rockets up the coast- yeah, I doubt the hurricane is gonna be filled with dancing stars and soft breezes.įor one thing: Multiple people have begun their stories with these exact words!